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F. Chopin: Piano Works, I (Ballade Op. 47; Mazurkas Op. 63; Nocturnes Op. 62; Prelude Op. 45)
F. Chopin: Scherzos Op. 20, 31, 39, 54; Polonaise Op. 53 'Eroic'; Polonaise-Fantasie Op. 61
F. Chopin: Piano Works, IV (Valses Op. 34; Nocturnes Op. 32; Sonata No. 2 Op. 35; Mazurkas Op. 30)
F. Chopin: Piano Works, III (Ballades Op. 23, 38, 52; Mazurkas Op. 50; Impromptu Op. 51; Polonaise Op. 53 'Eroic')
F. Chopin: Piano Works, II (Sonata No. 3 Op. 58; Valses Op. 64; Mazurkas Op. 59; Polonaise-Fantasie Op. 61)
OnClassical Collection
F. Busoni: 24 Preludes Op. 37
J. Brahms: Sonatas for Clarinet & Piano Op. 120; R. Schumann: Three Romances Op. 94
E. Satie: Gymnopédies, Gnossiénnes, Sarabandes, Sonnerie de la Rose Croix
A. Rubinstein: Complete Violin & Piano Works [3-set Albums]

Giampaolo Stuani plays F. Chopin: 24 Preludes Op. 28; M. Ravel: La Valse, transcription

 

F. Chopin: 24 Preludes Op. 28; M. Ravel: La Valse, transcription

Giampaolo Stuani

Genre:
Period:
Duration:
Orig. res.:
Cat. N.:
EAN:
Classical Music
Romantic/19th Century (1820 - 1900)
54:29
Available @ 44.1/16
OC1Rv
3661585841296

Description:

Within these very small frames, Chopin captures a universe of feeling and mood. There is a prelude for each major and minor key; many of them demand high virtuosity. James Friskin writes: "Perhaps no other collection of piano pieces contains within such a small compass so much that is at the same time musically and technically valuable". Schumann thought them "eagle's feathers, all strangely intermingled. But in every piece we find his own hand-Frederic Chopin wrote it. One recognizes him in his pauses, in his impetuous respiration. He is the boldest, the proudest, poet-soul of his time". Finck feels that "if all piano music in the world were to be destroyed, excepting one collection, my vote should be cast for Chopin's Preludes. There are among Chopin's preludes a few which breathe the spirit of contentment and grace, or of religious grandeur, but most of them are outbreaks of the wildest anguish and heart-rending pathos. If tears could be heard, they would sound like these preludes".

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Recorded at: Recording studio, Treviso, 2002
Engineer: N/A
Photo/paint on cover: Caspar David Friedrich: 'Wanderer above the Sea of Fog' (1818)
Art-work: OnClassical

Original master is copyrighted: OnClassical, 2002


   
 

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